The internet is old (and so
are you)
I noticed the other day that eBay's
copyright tagline reads “(C) 1995-2013” – making it eighteen years old. That
just seems bizarre, right? In Australia, eBay becomes a fully-fledged adult
this year, able to buy its own alcohol and vote in elections (I’m sure it would
keep to the right of the political spectrum, free markets and all that). It
also means that next year there will be people of a legal age that have never
lived in a world without eBay. By comparison, it won’t be until 2022 that
Facebook turns 18 and becomes mature, although some may argue that it probably
never will.
History of domain names
Here’s a bizarre fact to mildly
impress your friends. Before gmail.com was the domain of the ubiquitous mail
program we all know and love, it belonged to Garfield.com, who used it as a
site where you could sign up for a Garfield themed newsletter. I tried to find
the history of other well-known domain names, such as facebook.com and
google.com, but it’s actually quite difficult to find out without paying
through the nose for a service that will give you access to the histories. It’s
worth remembering how valuable domain names are, and if you’re the owner of one
that some gigantic company happens to want (the previous owner of fb.com, for example) it
can make you very rich. It’s the 21st century equivalent to
discovering your property has vast amounts of oil reserves (although, you know,
in the 21st century it’s still quite profitable to discover that
you’re sitting on massive oil reserves).
The success rate of search engines
When’s the last time a search
engine failed to return something that you wanted? I bet it doesn’t happen all
that often – provided that the thing you want actually exists and you have at least a vague idea of
some keywords that might help you out. The other day I spent far longer than I
should have searching for an obscure kids’ album that I used to listen to. All
I knew was that the album was about dinosaurs and a couple of the track names.
Granted it did take a little while, but I eventually located it: ‘The Dinosaur Album’ by Glynn Nicholas and the Funky Fossils. During the course of my
search I also learned that the titular Glynn Nicholas once co-wrote a
television show with Australian comedy stalwart Shaun Micallef. If Nicholas and
Micallef got together and performed a live recording of the album, I would be
able to die a happy nerd.
The digital neighbourhood
Despite the fact the internet has
vast amounts of content (one estimate puts the amount of active websites at
over half a billion)
I often find myself visiting the same handful of sites for the majority of my
browsing. It’s interesting that despite the amount available at my fingertips,
just like in the real world I have a ‘neighbourhood’ that I frequent regularly.
These sites include my online banking, email, Facebook, Twitter, YouTube, a
couple of forums and one or two sites with articles and other content. Aside
from these, I do make trips ‘outside’ the neighbourhood when required, but
generally only if I actually want something – it’s rare that I’ll wander away
just on a whim.
Map of the internet
And speaking of wandering and
neighbourhoods and the size of the internet, here is a really cool site
that provides a visual representation of the internet. It’s interactive,
meaning you can zoom in on certain parts and see the connections between the
various sites (the site uses the same engine as Google Maps). What I really
like about this is how quickly it gives you an impression of the major players
of the internet (guess who), and also a nice colour-coded representation of the
geological location of the sites (USA is blue, India green, China yellow etc). I
wonder if it is just a coincidence, or a conscious design choice, that the map
appears to look very much like most conceptions of the universe itself. I don’t
understand enough about maths or physics to know the answer; however the
website does give some analogies which draws on terms like ‘electrified bodies’
and ‘gravitational quantum’ to make it all seem very impressive.
And last, but most infuriatingly
The Steve Jobs biopic starring
Ashton Kutcher is due out later this year, and is already a frontrunner for the
‘Worst Film Title of the Year’ award. It’s called ‘jOBS’, and before you go and
check IMDB, that is not a typo. It doesn't even make sense, apart from the fact
that a lower case 'j' kind of looks
like a lower case 'i', what with the little dot and all. But, because they're
going for the whole 'iPod, iTunes' thing, shouldn't it really be spelt jObs?
The title is an infuriating combination of laziness and marketing bullshit;
obviously you can’t call a film just ‘Jobs’ (unless you’re making a Marxist
propaganda film) but the film producers obviously couldn’t come up with
anything snappier so they decided to go with the wAcky sPelling instead. A good
movie title should be like a good haircut – at first eye catching and
attractive, suitable for the person or film it adorns, yet it should be natural
enough that after a while you stop thinking about it and it just becomes part
of the whole – not something you’re still noticing two hours later, wondering
‘who the hell thought that was a good
idea?’
That’s it for now. Turn your
computer off and go for a walk.
I've been searching for that album for years! If you get your hands on it I'll be your best friend for life.
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